Panorama van de bouw van het Viaduc d'Auteuil over de Seine bij Point-du-Jour before 1865
photography
landscape
river
photography
coloured pencil
hudson-river-school
cityscape
realism
Dimensions: height 185 mm, width 1157 mm
Copyright: Rijks Museum: Open Domain
Curator: What an amazing vista, very industrial and surprisingly melancholic. Editor: Indeed, the sepia tones imbue it with a certain nostalgia. This is a photograph titled "Panorama van de bouw van het Viaduc d'Auteuil over de Seine bij Point-du-Jour", taken by Hippolyte-Auguste Collard, likely before 1865. Curator: Note how the repetition of the arched forms creates a sense of rhythmic progression across the scene. Also the bridge itself is the key subject, acting as both line and form. Editor: Absolutely, one could say that this work is also a potent document of labour and infrastructural development during the Second Empire. The scaffolding, the exposed riverbed, it all speaks to immense effort and the reshaping of the environment. Curator: Consider how the artist carefully juxtaposes the raw, unfinished bridge with the tranquil reflections in the Seine, creating a tension between the manufactured and the natural. Editor: And the very materiality of this albumen print--the delicate layering of chemicals, the extended exposure--becomes part of the narrative. This method gives importance to the workers and their physical involvement in transforming the city's infrastructure, the real making of the place. Curator: But it's not purely documentary, the tonality and compositional choices lift it into a realm beyond mere recording, the contrast, balance, and framing elevate the subject beyond utilitarian description, creating what some could even describe as a "beautiful" landscape. Editor: Though Collard probably never thought to be considered amongst landscapists, one can certainly appreciate his capacity to create a sense of progress that reflects, indeed, on labour's important hand. Curator: Thinking of the contrast of shapes and forms, a fascinating blend of realism and subtle poetry. Editor: Well, let's consider it as an artifact that testifies not only to technological progress, but also to the lives transformed in its wake.
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