Judit 1588 - 1597

Editor: Here we have Jan Collaert II's engraving, "Judith," created sometime between 1588 and 1597. There's an undeniable power in her stance, her hand clutching Holofernes’ head. What can you tell us about this depiction? Curator: This print presents a very specific reading of Judith, a figure ripe for interpretation, especially concerning her agency as a woman in a patriarchal context. It invites us to consider not just the story itself, but how the narrative has been used, and sometimes manipulated, through history. How do you see Judith’s power displayed here? Is it celebratory, cautionary, or something else entirely? Editor: It's definitely celebratory, but I also see a certain coldness in her expression. The victory seems almost…clinical? Curator: Precisely. Collaert doesn’t shy away from the gruesome reality. It also brings to mind a discourse on resistance. Judith’s act wasn’t just about protecting her people; it was a direct challenge to the prevailing power structure. Considering the historical backdrop, this piece may also carry potent commentary on colonial resistance. Who has the right to resist, and at what cost? Does the print lead you to any reflections on the politics of our time? Editor: I didn’t consider colonialism, but now it gives me a new perspective on who this engraving was really for. Thank you! Curator: Of course. Seeing the echoes of past struggles within the context of current debates allows us to better examine history's potential for advocacy.