Church Bell 1935 - 1942

Edward Albritton created this drawing of a 'Church Bell', using graphite and watercolor. It’s really a study in observation, isn’t it? The artist is meticulously trying to capture the weight and texture of the metal. I’m drawn to how Albritton renders the play of light on the bell’s surface. The graphite gives it a kind of metallic sheen, but then the watercolor softens it, almost like a memory. See how the inscription around the top edge is almost illegible? It's like time is blurring the edges, wearing away at the details. It reminds me of when I don't wear my glasses and things get soft and fuzzy at the edges. This piece reminds me of Giorgio Morandi’s still lifes – that same quiet contemplation of everyday objects, finding beauty in the mundane. Ultimately, Albritton offers us a moment to pause and consider the stories objects hold.