Field Note (6) 1992

Curator: Terry Winters' "Field Note (6)" presents two enigmatic, almost biological forms. Editor: They evoke a sense of primordial life, but also feel very mediated through the artist’s hand. There's a tension between the organic and the constructed. Curator: Winters came of age in a period questioning institutional power and exploring identity through the lens of structuralism and post-structuralism. These forms resist easy categorization. Editor: It's interesting to see how the abstract shapes, with their repetitive lines, create a sense of movement within the static print. Curator: This echoes the broader theme of challenging accepted forms of representation. Winters encourages us to question what we see. Editor: Absolutely. It's a powerful reminder that art can serve as a mirror, reflecting both ourselves and the ever-shifting world around us.