Yolenta van Cortericke voor de abt van de Sint-Pieterskerk te Gent 1829

Jean-Baptiste Madou made this print of Yolenta van Cortericke before the abbot of Sint-Pieterskerk in Ghent, sometime in the 19th century. The artist uses a muted palette to depict a somber interior scene. The figures are arranged in a receding orthogonal space, guided by the architectural framework of the church. The composition guides our eyes from the foreground figures to the key figures of Yolenta and the abbot, framed by the church’s large Gothic windows. Madou uses gradations of light and shadow to create depth and volume. The structural organization creates a narrative – a system of signs and symbols, where the church is not merely a setting but a signifier of power and authority. Consider how Madou employs line and perspective, not just to represent space, but to construct a visual argument about the interplay of religious authority and individual agency. This approach to art enables us to see beyond the immediate subject matter and consider the cultural and philosophical structures which underpin the artwork's construction.