Plate 2: Portrait of Philip IV, King of Spain, being crowned; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636

Johannes Meursius created this engraving, "Plate 2: Portrait of Philip IV, King of Spain, being crowned," as part of Guillielmus Becanus's book, a project commissioned to celebrate the political and dynastic ambitions of the Spanish Crown. Portraits like these were tools of statecraft during the 17th century. They weren't just about likeness; they projected an image of power, authority, and divine right. Think about the weight of the crown hovering above Philip’s head, or the regal garments he wears. But consider too, the angel bestowing the crown. What does it mean to suggest the king's power comes from God? This image presents a narrative, solidifying Philip's rule through symbolism. By visually linking Philip to divine power, this portrait underscores the complex negotiations between church and state, and the emotional weight carried by both ruler and ruled.