The Seated Virgin 18th-19th century

Editor: Here we have Johann Gotthard Müller's "The Seated Virgin," housed here at Harvard. The texture achieved just through the engraving process is really remarkable! What can you tell me about the materials and production? Curator: Notice how Müller's engraving mimics the appearance of painting. The labor involved in achieving such a smooth tonal range through careful hatching is significant. It elevates printmaking beyond mere reproduction to a form of artistic creation in itself. Consider, also, how this increases its market value and appeal to a broader audience, due to its reproducibility. Editor: So, the *means* of making this print were just as important as the subject matter? Curator: Absolutely. The material process reflects a conscious effort to bridge the gap between "high art," painting, and the traditionally "lower" craft of printmaking, impacting the social and economic value of the work. What do you think? Editor: It's fascinating how the production influenced its reception. I'll never look at prints the same way again.