The Incarceration of St. Roch 1764 - 1798

Vincenzio Vangelisti created this print called "The Incarceration of St. Roch" in the late 18th century. It depicts the saint's imprisonment, a moment of suffering often overshadowed by images of his miraculous healings. Made in Italy, this print reflects a society deeply shaped by religious institutions. The figure of Saint Roch was particularly relevant. As a protector against the plague, Roch's image gained prominence during outbreaks, serving as both a symbol of hope and a reminder of the ever-present threat of disease. Here, the visual codes are stark: the saint is not in a moment of triumph or cure but is instead subjected to the harsh reality of imprisonment. The creation and circulation of prints like these were often tied to specific religious orders or charitable organizations. Careful study of period documents, such as guild records and church archives, can help us to understand the precise social functions these images served. The meaning of art is never fixed, but is instead always contingent upon its social and institutional context.