Gezicht op musici en ruiters en de stad Tchioufout Galeh, 18 augustus 1837 1840

Auguste Raffet made this print on August 18, 1837, it's a view of musicians, riders and the city Tchioufout Galeh. It reflects France’s 19th century fascination with the ‘Orient’. This wasn’t just about geography, it was a cultural projection, defining Europe by contrasting it with a romanticised, often stereotyped ‘Other’. Here, Raffet depicts a scene in Crimea, a region with a complex history. The presence of musicians and riders suggests a staged performance, perhaps for visiting dignitaries or as part of a colonial display. The city in the background, Tchioufout Galeh, was known for its unique religious and ethnic mix. The print uses visual codes to convey power and exoticism. The riders, possibly representing authority, are contrasted with the musicians, who may be seen as part of the local colour. Understanding this artwork involves looking at travel accounts, political documents, and art criticism of the time. These resources help us uncover the power dynamics and cultural exchanges at play, reminding us that art is deeply embedded in its historical moment.