The Madame of the tent puts on her stockings! More than that, the legs!, p. 51 1853

Editor: This print, by Paul Gavarni, is titled "The Madame of the tent puts on her stockings! More than that, the legs!" It's interesting how it portrays these figures with what looks like street performers and a slightly comical air. What’s your take on the social commentary here? Curator: Well, consider the rise of print culture in 19th-century France. Gavarni was commenting on the changing social landscape, particularly the visibility of working-class figures in public spaces. The "Madame" subverts expectations, challenging bourgeois norms through satire. Editor: So, the humor is a way to critique societal roles? Curator: Precisely. The caption also adds another layer of meaning, highlighting the performative nature of identity and the spectacle of everyday life. The print becomes a stage for questioning social hierarchies. This challenges the traditional art market. Editor: I see. It's less about the individuals and more about what they represent in the broader social context. Curator: Exactly. Gavarni's print reflects how artists engaged with the politics of imagery and the public role of art. Editor: I hadn't thought of it that way. It's interesting how art can be a tool for social commentary. Curator: Indeed, this piece offers a fascinating glimpse into the complexities of 19th-century French society and its representation in popular culture.