Norway, from the International Cards series (N238), issued by Kinney Bros. 1888

Editor: So, this is "Norway, from the International Cards series" by Kinney Bros., from 1888. It's a lithograph print, and it's quite ornate. The portrait and symbols feel almost cartoonish, and they make me think of advertising. How would you interpret this work in its historical context? Curator: Considering this was issued by a tobacco company, you're right on the mark. These "International Cards" were essentially advertisements. The political angle comes in when we consider how these images construct and circulate ideas about national identity and international relations. Editor: That makes sense. I see the Norwegian flag prominently displayed. But what about the style of the portrait itself? Does it fit into a specific artistic movement? Curator: The style is interesting. While having elements of academic art in its idealized depiction, it's been simplified for mass production. Think about the role of trading cards during this era. They offered everyday citizens glimpses into different parts of the world. Editor: So it's less about pure artistry and more about communicating a message about Norway to a broad audience. Is there a particular message about Norwegian identity being conveyed? Curator: The card presents Norway through its symbols of royalty and national pride, packaged within a consumer product. Ask yourself: how does something like this shape the perception of Norway? Does this image oversimplify the culture for American consumption? Editor: I never considered how advertisements could also be pieces of political propaganda in a way, helping spread nationalistic ideals. That’s quite different than what I initially thought about the cartoonish style. Curator: Exactly! Analyzing such images reveals a lot about how art, commerce, and national identity were intertwined in the late 19th century.