Cathedral of Bourges 1835

Editor: This is Charles Ransonnette's "Cathedral of Bourges." It looks like an engraving. The detail is really striking. What can you tell me about it? Curator: Considering this print through a materialist lens, I see a fascinating record of labor. Think about the skilled craftsmanship required to create this image. The engraver's dedication reflects the cultural value placed on these grand structures. Editor: So, the print itself becomes a kind of testament to labor, both artistic and architectural? That's a cool way to see it! Curator: Exactly. The print also becomes a commodity. It's a document of labor as well as a consumer good.