Gestalt mit erhobenem Glas (Figure with Raised Glass) [p. 65] 

Curator: Well, isn't this intriguing! What’s your first reaction to Max Beckmann's ink drawing, "Gestalt mit erhobenem Glas (Figure with Raised Glass)"? Editor: Sparse. It feels almost incomplete, yet that’s where its energy lies, don’t you think? Like a fleeting thought, sketched before it vanishes. A snapshot of somebody, maybe in a cafe. Melancholic perhaps? Curator: Melancholy is interesting. Let's consider the form itself. Beckmann uses stark lines, an economy of detail to create a potent visual statement. The subject is a profile view, likely male, wearing a cap. Editor: A very assertive cap! It points accusingly towards... I don't know, oblivion? But what is he drinking to? And is he actually raising a glass, or just pensively holding one? See the beauty in these sketch-like strokes, the almost agitated application? It creates the figure's weighty stillness. Curator: Exactly, the agitated strokes serve to highlight the figure’s potential animation as much as his stoicism. Note also, the placement within the frame. The figure is set slightly off-centre, increasing visual tension. It demands the viewer complete the composition and imagine what’s absent from view. It is not precisely expressionistic, but leans towards a reductive form. Editor: It’s a great example of less is more. Imagine if this had been painstakingly rendered. It would lose its essence entirely! It’s expressionistic, even if lightly so; it expresses a certain *something* that feels more potent precisely *because* it's just a suggestive wisp of charcoal on old paper. And there's humour there too, perhaps—Beckmann had a wicked eye! Curator: Humour… Interesting. But I see a tension rooted in form. His profile pushes aggressively against the edges, its shape stark and angular; even a slightly satirical form as such adds intensity to the portrait. Beckmann's line possesses a restless quality. Editor: Well, it's a brilliant piece. What a wonderfully simple but charged drawing—it feels really fresh even now. Curator: Indeed. It reminds us that the essence of art can be captured with surprising economy. And of how line alone can communicate so very much.