Making Apparatus for Laboratory by Lewis Hine

Making Apparatus for Laboratory c. 1937

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gelatin-silver-print, photography, gelatin-silver-print

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portrait

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gelatin-silver-print

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photography

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historical photography

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gelatin-silver-print

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modernism

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realism

Dimensions 7 5/8 x 9 1/2 in. (19.37 x 24.13 cm) (image)7 15/16 x 9 15/16 in. (20.16 x 25.24 cm) (sheet)

Here's a black and white photograph by Lewis Hine, showing a man making laboratory apparatus, sometime in the early to mid-20th century. I find myself wondering what it might have been like to be this glassblower. I imagine him carefully heating the glass, rotating it slowly in the flame. With each practiced movement, he is building a system, a network, not unlike the gestures of painting. Look at that flame, so precisely directed. The way the glass glows orange where the heat is most intense, like the moment when a brushstroke catches the light just right, revealing its energy and movement. The glass seems to be taking on a life of its own, bending and shaping into forms both functional and, dare I say, beautiful. It puts me in mind of the surrealist project of making objects for experiments! And now I wonder if this image has inspired other artists. I bet it has. Artists, after all, are always looking, borrowing, and reimagining what they see. We're all in this ongoing conversation, across time and medium.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Lewis Hine was a documentary photographer, educator, and social reformer. Trained in sociology, Hine taught at the progressive Ethical Culture School in New York City before turning his attention to photography. As a photographer for the National Child Labor Committee (NCLC), Hine traveled the United States to document children in unsafe working conditions in factories, mines, fields, and city streets. Over ten years, he created an indelible record of the human cost of an exploitative labor market, documenting the tired faces of children at the end of their shifts, or even children mutilated by industrial machinery. These disturbing photographs were used in publications and presentations created by Hine and the NCLC, and ultimately promoted sweeping policy changes designed to protect children.

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