Woman from Tyr. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani by  Akram Zaatari

Woman from Tyr. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53. Hashem el Madani 2007

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Dimensions: image: 190 x 289 mm

Copyright: © Akram Zaatari, courtesy Hashem el Madani and Arab Image Foundation, Beirut | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have Akram Zaatari’s photograph, “Woman from Tyr. Madani’s parents’ home, the studio, Saida, Lebanon, 1948-53.” The woman's poised expression gives the image a quiet dignity, but I'm wondering, what’s the story behind her portrait with this vintage radio? Curator: It's a beautiful photograph, isn't it? To me, she represents a moment frozen in time, where personal stories intersect with the collective memory of a place. Zaatari's work often explores how images shape our understanding of history and identity. I wonder, does the radio feel like a portal to another world? Editor: Absolutely, especially given the context. What does this image tell us about Lebanese society back then, and the role of photography itself? Curator: Perhaps it's a statement on the power of media, the allure of modernity, or maybe just a simple snapshot of a woman in her own world, tuning into the sounds of the era. It's like the radio is her confidant. It's both intimate and universal, don't you think? Editor: I do. I'll never look at old photographs the same way again.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/zaatari-woman-from-tyr-madanis-parents-home-the-studio-saida-lebanon-1948-53-hashem-el-p79509

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tate 3 days ago

“In the 1940s and 1950s people loved to pose with a radio. I bought a radio for 200 Lira and I would ask people to touch it as if they were switching frequencies. Once, a little girl placed her dollies next to the radio.” Gallery label, June 2011