Untitled (train yard) c. 1960s

Editor: This black and white photograph by Michael Mathers, simply titled "Untitled (train yard)," shows a row of railcar storage units. I’m struck by the repetition and the way the tracks lead your eye into the distance. What stands out to you? Curator: Well, I immediately think about the public perception of industrial spaces during the time this was likely taken. Consider the social implications of photographing a train yard. Editor: How so? Curator: Were these spaces seen as symbols of progress or blight? Was Mathers trying to document or critique? Also, the open doors feel important, as if they are inviting us in. Editor: I never thought about it that way. It's interesting to consider the cultural weight of these spaces. Curator: Exactly! It makes you wonder about the artist's intention and the viewer's reaction then versus now.