Loughrea St. Brendan's Cathedral. Nativity in Nine Scenes 1908

Editor: This is "Loughrea St. Brendan's Cathedral. Nativity in Nine Scenes" designed in 1908 by Sarah Purser, created with stained glass and integrated into the architecture. I'm struck by the intricate, almost graphic style, like a comic rendered in glass. What are your thoughts on this window's construction? Curator: Observe how the structure of the stained glass inherently segments the narrative. Each scene is meticulously contained, almost as individual units. Note how the lead lines act as both structural support and bold outlines, dictating the viewer’s eye and creating a distinct visual rhythm. The intense colours – the saturated reds and blues – also work to differentiate each scene. What do you notice about the arrangement of these colours and forms? Editor: Well, the vibrant colours create a hierarchy, drawing your eye to specific figures or actions within each panel, adding layers to the story. It is clear Purser chose specific tones that enhance readability. It feels considered and purposeful, in service of a narrative. Do you think it leans more toward its medieval influences, or pushes in a more modern direction? Curator: That is precisely the point! By analyzing the relationship between the color choices, leading, and compositional arrangement, one can see it strikes a calculated balance. Note the clear Gothic revival style. Look at the structural lines, balanced figuration and vivid colors, reminiscent of High Medieval and Early Renaissance altarpieces, updated in an early 20th-century sensibility. The deliberate juxtaposition and structuring is thought provoking. Editor: Absolutely. I see what you mean about the thoughtful layout enhancing the narrative. It all comes down to how the elements relate to one another. Curator: Precisely, each element, thoughtfully combined to engage with visual language. A window not just to see through, but to decipher.