Twee figuren tussen geboomte aan de oever van een water 1650 - 1660

Pieter de Molijn made this drawing of two figures among trees on the bank of a body of water, using pen and brush in grey ink, in the 17th century. The drawing’s material qualities – the paper, the ink, the controlled strokes of the artist’s hand – all contribute to its contemplative mood. De Molijn’s mark-making is confident, as seen in the light strokes that create the shapes of the trees and the flowing lines of the water. The density of these lines varies, and the controlled application gives the landscape depth and texture. This was not a quick sketch, but a carefully considered and well-executed work. Drawings like these are traditionally seen as preparation for paintings, but they should also be appreciated for their inherent qualities. De Molijn has captured a sense of place and time through the careful and considered use of his materials and techniques. By understanding the labor involved in creating this drawing, and the skill required to master the medium, we can fully appreciate its beauty and value, and challenge traditional distinctions between fine art and craft.