Silver Teapot by Charles Garjian

Silver Teapot c. 1936

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drawing, pencil

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drawing

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pencil drawing

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pencil

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realism

Dimensions overall: 22.8 x 29.6 cm (9 x 11 5/8 in.) Original IAD Object: 5" high

Curator: Before us we have Charles Garjian's "Silver Teapot", rendered around 1936, primarily with pencil on paper. Editor: Immediately, I’m struck by the drawing’s subdued luminescence; it really captures the inherent material qualities of metal in grayscale. Curator: The drawing’s composition focuses predominantly on the geometric form of the teapot, its cylindrical body countered by the elegant spout and handle. Consider how Garjian employs pencil strokes to define the textures and reflectivity of silver. He’s manipulating a seemingly simple medium to create an almost tactile surface. Editor: Exactly, I find myself drawn into considering the socio-economic status the physical teapot implies. Its creation—who made it, for whom? The choice of silver alone hints at certain craft processes and intended usage by a specific demographic of users. The labor is silent, yet it speaks. Curator: Let us turn our attention to the additional sketch details that frame the main study. These small vignettes—a secondary rendering of the pot and what seems to be the maker's mark or signature detail—offer additional informational details which support the function of the main picture to provide documentation through observational draughtsmanship. Editor: And within the material application, look how Garjian focuses not only on visual representation but emphasizes dimensionality using shading techniques in service of documenting functional components. It underscores how even seemingly utilitarian objects bear the fingerprints of artistic expression embedded through processes of skilled craftsmanship. Curator: The nuances between light and shadow transform the function, almost paradoxically transcending the medium's original intention. It's a fascinating display of how careful construction yields beauty through line. Editor: In viewing works like Garjian's "Silver Teapot" we uncover multiple points: utility meets beauty, labor intersects artistry, and the mundane reveals cultural value when illuminated through an object's manufacture.

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