print, etching
portrait
etching
mannerism
figuration
Dimensions height 130 mm, width 80 mm
Curator: This etching from 1620, created by Adriaen Matham, depicts Philip the Good, Duke of Burgundy. It's part of the Rijksmuseum's collection. Quite a powerful image, wouldn't you say? Editor: It certainly has a commanding presence. The texture is immediately striking, particularly in the rendering of his fur-lined cloak and the gleaming armor. It feels austere, though. Curator: Austere, yes, but look closer at that fur. What does it communicate in the context of Burgundian courtly life? Philip cultivated a very specific image of opulence and power. The cloak would have signaled authority and wealth, crucial in solidifying his political standing. Editor: The imagery speaks volumes. Beyond mere wealth, there’s a performance of status, almost like a costume. What about the symbols on the shield – the fleurs-de-lis? Do they connect to the French lineage and territorial ambitions? Curator: Exactly. The fleurs-de-lis would immediately place him within that historical and political narrative. Notice how the sword nearly bisects the composition, signifying military might and perhaps justice. This print functions almost as a propaganda piece, solidifying Philip’s authority across the land. The open hand maybe offers stability. Editor: Interesting – I hadn’t considered the offer of stability in the image, that being in contrast with such strong emblems of war. The placement of the shield, overlapping the body yet visually prominent, speaks to the defense of both the person and the realm he embodies. I also wonder if there is a cultural memory intended of ancient armor when it was normal in public sphere? Curator: That's precisely the role these portraits played; creating a historical lineage. Adriaen Matham was participating in this legacy project when this image was etched. It invites a careful study of Burgundian politics, and what symbolism it draws upon for its legitimacy. Editor: It makes one think about the continuous re-presentation of power through these symbolic elements. Fascinating how images embed layers of memory and aspiration within their forms. Curator: Indeed.
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