Ou donc met-il ses cigares? 

Editor: Here we have a pencil drawing entitled "Ou donc met-il ses cigares?" It translates to "Where does he put his cigars?". It is unsigned, but attributed to Jean-Louis Forain. I find the sketchiness intriguing, capturing a seemingly private moment with a somewhat voyeuristic quality. What's your read on this piece? Curator: This sketch provides a fascinating window into the social dynamics of the late 19th century. Forain was known for his commentary on Parisian life. We see a man kneeling, seemingly in a servant's garb perhaps, searching a cabinet while another figure rests in bed. Given the title, there’s an implicit critique of class and domestic labor here, wouldn’t you agree? Editor: Yes, it hints at that. Do you think it might be more than just class critique? Perhaps a glimpse into personal habits, maybe even an addiction, being somewhat satirized? The “where does he hide his cigars” question implies a secretive habit. Curator: Precisely! The role of addiction in modern society was gaining public attention at that time. And here, we see it played out within a power structure of master and servant or, perhaps husband and wife. This drawing seems less about idealizing labor or home life, and more about unveiling potentially hidden aspects of human behavior sanctioned or perhaps created by the public structures. How do you think that changes our interpretation? Editor: It makes the work feel more immediate, more personal even. A snapshot of everyday life filled with subtle tension and critique. I originally viewed the scene as just voyeuristic, but it looks to offer social insight through the relationship dynamic, like a moment to reflect on public consumption. Curator: Indeed, understanding Forain’s context of artistic and social criticism significantly enriches our interpretation.