Bulgaria, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Bulgaria, from Flags of All Nations, Series 2 (N10) for Allen & Ginter Cigarettes Brands 1890

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drawing, graphic-art, print

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drawing

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graphic-art

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art-nouveau

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print

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Editor: This is "Bulgaria, from Flags of All Nations," a print made around 1890 by Allen & Ginter, as part of a series for their cigarette brand. It's quite small, like a collectible card, and it depicts the Bulgarian flag. I'm immediately struck by the vibrant colors and how detailed the lion is. What stands out to you about this piece? Curator: For me, it's about unpacking this image as a commodity. It’s not just a representation of Bulgaria; it’s also a marketing tool embedded within a larger system of production and consumption. Allen & Ginter used these cards to stiffen cigarette packs, encouraging collecting, and implicitly linking their brand with exotic locales. How does the production of a product for mass consumption shape its imagery? Editor: So, it’s less about the artistry itself, and more about what the object represents in terms of commerce and consumerism? Curator: Exactly. We can consider the materials - the paper, the inks - and the printing process itself. This wasn't a handcrafted, unique artwork, but a mass-produced object. Consider also the laborers involved in the process. How were they paid? What were their working conditions? The image becomes a conduit for understanding these material and social relationships. Editor: That’s fascinating. It shifts the focus from aesthetic appreciation to something more grounded in material realities and labor. Curator: Precisely. How does the value of this object change when you consider not just its visual representation of Bulgaria, but the processes that brought it into being, its role in promoting tobacco consumption, and its connections to broader economic structures? Editor: It makes me rethink its purpose. It’s no longer just a pretty picture of a flag. Curator: Agreed. We must examine the intricate processes of its making. Editor: I learned so much thinking about art this way. Thank you for opening my eyes to the material circumstances surrounding it. Curator: My pleasure.

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