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Curator: Gomar Wouters, a Dutch artist active in the late 17th century, created this etching, "Veduta di Ponte Molle," capturing a view of the Ponte Milvio outside Rome. Editor: There's a wistful, almost melancholy feel to it, isn't there? All that crumbling stone and the figures so small against the landscape. It feels like a memory. Curator: Absolutely. Bridges, especially old ones, often symbolize connection, but here, the state of decay suggests perhaps that connection is fragile, or fading. Editor: And the fishermen—they're part of that connection, too, I think. Grounding it in the everyday. It's like a dialogue between grand history and ordinary life. Wouters is making this conversation timeless. Curator: I agree. The printmaking technique, with its delicate lines, certainly contributes to that sense of a moment captured, pondered, and then gently released. Editor: It's a reminder that even in decay, there's beauty and resilience, wouldn't you say? Curator: Indeed. It encourages one to find the charm in that which is not so charming, to begin with.
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