Staten Island 1934

Theodore Roszak’s 1934 “Staten Island” is an abstract work on paper featuring geometric forms and vibrant colors. It showcases the artist’s early exploration of Cubist and Constructivist styles. The composition includes simplified geometric shapes like cones, cylinders, and squares, arranged against a background of blue and green hues, depicting a stylized seascape. This artwork is a prime example of Roszak’s transition towards his later abstract sculptures. It reflects a fascination with the industrial landscape and a desire to capture the essence of modern life.