James Edward "Jim" Canavan, Left Field, Omaha Omahogs/ Lambs, from the Old Judge series (N172) for Old Judge Cigarettes 1889

Editor: Here we have an albumen print from 1889, "James Edward 'Jim' Canavan, Left Field, Omaha Omahogs/Lambs," made by Goodwin & Company for Old Judge Cigarettes. It’s amazing how much detail is captured, considering its age. I’m really struck by the composition. It's more than just a portrait; it feels like it’s capturing a moment in time. What do you see in this piece? Curator: From a formalist perspective, it is fascinating how the print achieves a sense of depth and movement within the constraints of its medium. Observe the composition; the photographer has carefully positioned Canavan in profile, with the bat held high, creating a dynamic diagonal line. Notice, too, the interplay of light and shadow. Editor: Yes, I see how that angle creates visual interest. But what about the wear and tear on the print itself? Does that impact how we view it as a work of art? Curator: Indeed. The imperfections – the fading, the stains – while appearing accidental, are intrinsic qualities, subtly enhancing our engagement with the print. They underscore the print's age and the physical realities of its existence as an object. Editor: That's interesting. So, even the flaws contribute to its overall aesthetic effect. Are the lines used a way to convey motion without actually using motion? Curator: Precisely. The success lies in its strategic arrangements of formal elements to produce and understanding in the viewer. Do you notice any particular line, color or pattern in the image? Editor: I noticed the striped shirt, that is definitely a prominent pattern. And the contrast created by the shading is also pretty dynamic. Curator: A fitting observation. It is indeed by carefully examining intrinsic and prominent forms of art, such as colors and contrast and other elements like lines, dimensions, and scales. Editor: I’m starting to look at it differently now. It’s not just a baseball card; it’s a carefully constructed image, with every element playing a part. Curator: Exactly! Formal analysis allows us to move beyond subject matter and appreciate the aesthetic achievements within. I'm so glad to hear your changed perspective of it.