Brief aan anoniem by Eelke Jelles Eelkema

Brief aan anoniem Possibly 1825 - 1829

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drawing, paper, ink, pen

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portrait

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drawing

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script typography

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hand-lettering

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hand drawn type

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hand lettering

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paper

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personal sketchbook

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ink

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hand-drawn typeface

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romanticism

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Brief aan anoniem" – "Letter to Anonymous," if my Dutch serves me correctly. Eelke Jelles Eelkema penned it, likely sometime between 1825 and 1829. It's an ink drawing on paper, a script almost feels like a portrait. It gives off a very formal, yet strangely intimate vibe. What catches your eye, looking at this? Curator: Oh, this little piece whispers stories, doesn't it? The elegance of the handwriting, almost a dance across the page, suggests a world of refinement, of considered thought. I imagine the writer meticulously forming each letter, pouring his heart into every stroke. Notice how the loops and flourishes almost become illustrations themselves – miniature portraits of feeling. Does it strike you as a plea or perhaps a confirmation? Editor: It could be a bit of both! It sounds like there was a negotiation about selling artwork in it, but I’m unsure what’s for sale. Given the “anonymous” aspect and the letter being dated, it's got that "message in a bottle" feel – lost in time but still hoping to reach someone. Curator: Precisely! The "anonymous" recipient intensifies the mystery, doesn't it? It's as though the letter’s content, its very *soul*, is suspended, waiting to be awakened by the right eyes. The very act of handwriting – before keyboards and emails – imbues it with a special gravity. Can you imagine someone receiving this? How the physical touch, the very scent of the paper, would add to its meaning? It becomes almost talismanic, don’t you think? Editor: I do! I never thought of the sense of smell adding a tactile element. Now I am looking at it in a completely different way! Curator: And isn't that the magic of art? To keep revealing itself, layer upon layer, long after the artist’s hand has left its mark. We become the readers of this beautiful echo. Editor: I think I will need to start looking at letters more often. Thanks!

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