Book cover with scenes from the life of Christ c. 1467 - 1469
metal, relief, sculpture
medieval
narrative-art
metal
sculpture
relief
figuration
sculpture
northern-renaissance
Editor: So, this book cover, crafted in metal relief around 1467-1469, presents scenes from Christ's life, and currently resides in the Minneapolis Institute of Art. I am struck by the density of figures in such a limited space! What strikes you about this piece? Curator: The most striking thing to me is how this object underscores the pervasive role of the church and its visual imagery within the lives of individuals and communities of the late Medieval and early Renaissance periods. Think about where a book like this might be used – in what contexts and by whom? Editor: Likely religious settings or used by clergy? How might that affect how people saw art at that time? Curator: Precisely. Consider the book's function. It isn't just decorative. It’s a crucial component of ritual and education, reinforcing religious narratives and solidifying the Church's authority. The careful craftsmanship, with those intricate scenes, enhances the sacred experience and conveys wealth and power. Look at those densely populated narrative panels and their relation to each other... Who might this book be made for? How are the narratives influencing social perspectives about religious devotion? Editor: Someone of significant means. A priest, or maybe royalty? I wonder how ordinary people might access the ideas portrayed on this cover? Curator: Good questions! These images also likely circulated beyond the direct ownership of the book, shaping beliefs through sermons, memory, and other visual reproductions. What do you make of the Northern Renaissance influence listed in its style? Editor: Well, there seems to be an emerging attention to detail, realism, even amidst the symbolism... Curator: Indeed. This cover encapsulates a moment where religious and artistic aspirations converged to affirm the church's dominance. The metalworking itself speaks to guilds, patronage, and trade. Editor: It’s fascinating to think about all the layers of social and political meaning embedded in what appears at first glance like a simple book cover! I'll definitely be paying more attention to that intersection going forward. Curator: And I think you will appreciate seeing it through these historical lenses.
Comments
This cover is one of a pair commissioned from a Florentine workshop by the French cardinal Jean La Balue for his personal copy of the Gospels. The decoration includes scenes from the New Testament (the Baptism of Christ, the Raising of Lazarus) and images of the church fathers, angels, and sphinxes. In 1469, while imprisoned for high treason by King Louis XI, Cardinal La Balue gave his gospel book to Pope Paul II, hoping the pope could intercede with the king. After eleven years of negotiations, the pope secured Balue’s release. The niello technique used on this object involves engraving the design on silver sheets, filling the incised lines with a powder of sulfur, silver, lead, and copper, then heating the powder, which solidifies and turns black, creating striking surface contrasts.
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