Three rotary squares 1973

Editor: Here we have "Three Rotary Squares," a kinetic sculpture made of metal by George Rickey in 1973. The squares appear weightless as they balance on the central spoke, set against the backdrop of that luscious park. The sculpture makes me wonder: is it about the stillness or the potential for movement? What do you see when you look at this work? Curator: Ah, yes, Rickey. His sculptures always tickle my fancy, like dandies of the art world, effortlessly charming! It is Modernist sculpture doing a rather fascinating ballet with the environment. Notice how the geometry both contrasts and blends with the natural forms behind it? It’s a constant push and pull. Editor: Absolutely! I see the rigid, almost industrial feel of the metal, yet the movement makes it seem organic. How does the ‘kinetic’ aspect affect your interpretation? Curator: Movement IS key, my friend! Imagine the sun catching those turning squares; it's like nature painting its own fleeting abstract compositions, isn't it? Kinetic art transforms the sculpture into a living, breathing thing – its appearance morphs with every gentle breeze. Think of it as the sculptor partnering with the wind, surrendering a degree of control... delicious, isn't it? And makes one ponder, is the wind a hidden collaborator? Editor: I never considered that perspective. It makes me realize how static photographs do little justice to Rickey’s art. You need to *see* it move. Thank you for making me see it anew! Curator: My pleasure entirely! Isn't art just one long, lovely conversation anyway? Perhaps a dance in the breeze!