Victoria markt in Kingston, Jamaica by Carleton Harlow Graves

Victoria markt in Kingston, Jamaica 1898

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photography

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landscape

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street-photography

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photography

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realism

Dimensions height 88 mm, width 178 mm

Editor: This is a photograph called "Victoria markt in Kingston, Jamaica," taken in 1898 by Carleton Harlow Graves. It appears to be a bustling marketplace scene. There are so many people, mostly women it seems, with hats and baskets. It has an interesting documentary feel. What do you see in this piece that I might be missing? Curator: What I see is a snapshot of a complex social dynamic at the turn of the century in Kingston, Jamaica, a place undergoing profound changes under British colonial rule. Photography at the time was used both as a tool for documentation and a form of control, so the seemingly objective "realism" here is worth questioning. Do you notice the segregation within the market scene? Editor: Now that you mention it, the people on the periphery seem differently dressed than those clustered in the center. Were there different areas within the market designated for specific vendors or clientele based on race or social standing? Curator: Precisely! The image likely reinforces colonial hierarchies and power dynamics that existed. The women in elaborate dresses and hats, possibly representing the upper class or those trying to emulate European fashion, contrast starkly with the others. Consider what this photograph might have been intended for - was it for consumption in England, reinforcing a specific narrative about Jamaica and its people? Or was there a local audience too? Editor: So, beyond just being a representation of a lively market, it's also a document reflecting the societal tensions and the visual language of colonialism? Curator: Exactly. Photographs like these provide valuable insight, not just into how things looked, but how power was structured and visualized in that era. It challenges us to look beyond the surface and consider the multiple layers of meaning. Editor: Wow, I hadn’t considered all those social factors! I’ll never look at a historical photograph the same way again. Thanks for opening my eyes. Curator: And thank you for your observations – it's in questioning that we uncover new perspectives and understanding.

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