Sexton, Billiards, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes by Goodwin & Company

Sexton, Billiards, from the Goodwin Champion series for Old Judge and Gypsy Queen Cigarettes 1888

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drawing, lithograph, print, etching

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portrait

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drawing

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lithograph

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print

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etching

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caricature

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realism

Dimensions sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm)

Curator: At first glance, I'm struck by the rigid, almost unsettling composition, bisected diagonally into upper and lower zones of differing representational approaches. Editor: Here we have an advertising trading card dating back to 1888 from Goodwin & Company. It's an etching and lithograph from their "Goodwin Champion" series, meant to be distributed with "Old Judge and Gypsy Queen Cigarettes." It features a portrait of Sexton, a prominent billiards player. Curator: Sexton’s face seems rather idealised; is this purely for marketing purposes, I wonder? The miniature pool table almost acts as a stage for its accoutrements of sport. A rather peculiar combination. Editor: Certainly, the intent was to elevate him to a celebrity status akin to that of actors and musicians also featured in these series. Note how the inclusion of a laurel suggests classical heroic associations – while associating success with the brand itself. Curator: That is a clever visual tactic, though I feel that the portrait’s muted palette and formal rigidity undermines such glorification. A stark juxtaposition with the overt vibrancy usually sought in this form of popular advertising. Editor: It is a study in controlled messaging though, isn’t it? Notice the care taken with the detailed representation of Sexton’s suit versus the almost schematic rendering of the billiards table. A tension meant to both elevate and contain the player's image, carefully within social constraints. Curator: The social climate of the era demanded propriety and control of figures in the public sphere; something achieved through visual representation and marketing. Editor: It highlights the power dynamics inherent in even seemingly benign commercial art. The piece shows the fascinating interaction between representation and public perception, illustrating the calculated image-making used to court popularity and commercial triumph. Curator: Yes, seeing how all these visual strategies interact and shape the cultural narratives surrounding Sexton and his achievements really underscores this card’s complex place within our understanding of 19th century celebrity culture. Editor: Precisely! Analyzing how such an unassuming object weaves together imagery, identity and economics shows art history’s potential for wider cultural commentary.

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