Portret van Arcangelo Corelli 1702 - 1767

Curator: Here we have Jacob Folkema’s engraving, "Portret van Arcangelo Corelli," dating somewhere between 1702 and 1767. Look closely at the precision, a real testament to Baroque portraiture. What strikes you first? Editor: The wig, unashamedly. It’s a cascade of artifice, overshadowing even the delicate intaglio work. I am thinking about the social function of displaying wealth through materials, both in Corelli’s time and the act of commemorating him in print by Folkema. Curator: Indeed! The wig is like a sonic boom announcing Corelli’s arrival. Though, perhaps "arrival" isn't quite right, is it? As the portrait suggests, Corelli has been named "The Divine Orpheus," who's escaped from the underworld, able to captivate mortals again through music. Editor: “Escaped” implies he was there by force. Let’s not romanticize hell—especially when discussing craft and making. I wonder about Folkema's tools. This level of detail comes at the expense of massive physical labour. The consumption and commodification of portraiture is fascinating, here. What kind of press? Who printed it? For what cost? And who consumed it? Curator: An excellent point, to contemplate production here. Although the final effect is still compelling for me. His gaze seems knowing, intelligent. It captures something beyond mere physical likeness. Corelli seems aware of his genius and importance. It is also such an ingenious portrait. There is a play here between legend and the reality of a musician and composer. Editor: Knowing the materiality shifts my perception of the artwork. This is less a "window into a soul" and more a meticulous rendering made possible by technological and material conditions—etching, ink, paper, a whole string of transactions. Curator: Which is why engaging with art is such a wondrous multilayered experience. Both interpretations ring true, in different frequencies. Thank you! Editor: Likewise. Seeing the physical elements underscores art’s cultural weight. Always fascinating to think about how those layers interact.