Dimensions: support: 184 x 276 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: John Sell Cotman's "Crypt in the Church of St Gervais, Rouen," now residing in the Tate Collections, captures an interior space with remarkable economy. Editor: It's instantly evocative—the somber tones and cavernous space suggest mortality and reflection. Curator: Consider the materiality here; the wash technique allows the paper to breathe. It mirrors the very structure of the crypt itself: layer upon layer of human construction over time. Editor: And the symbol of stairs leading up, perhaps to redemption, contrasted with the darkness within the crypt. It speaks to our shared history and the weight of time. Curator: Indeed, the layering and construction techniques become a metaphor for the enduring strength and communal effort required to create such spaces. Editor: A simple sketch, but filled with echoes of belief and the human condition. Curator: Yes, a compelling look into the labor and faith required to create such a structure.
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http://www.tate.org.uk/art/artworks/cotman-crypt-in-the-church-of-st-gervais-rouen-n03330
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Cotman travelled to Normandy in 1817 and 1818 at the suggestion of Dawson Turner, one of his most important patrons. While touring the region he made many watercolour studies, including this drawing. It was made to illustrate Dawson Turner’s book, Architectural Antiquities of Normandy, published in 1822. Cotman enhances the crypt’s stark interior and isolation through dramatic lighting and the small figure by the stairs. The drawing corresponds with Turner’s description of the crypt’s ‘extreme simplicity and remote antiquity’. Gallery label, October 2019