Spring morning in the Han Palace (View I, detail) 1530

'Spring Morning in the Han Palace' was painted by Qiu Ying in the 16th century, using ink and colour on silk. It's fascinating to consider the materials and processes involved in creating this intricate scene. The silk itself would have been carefully woven, its smooth surface providing the perfect ground for the artist's delicate brushstrokes. The ink, likely made from soot and animal glue, would have been ground by hand to achieve the desired consistency. And the colours, derived from minerals and plants, would have been applied in layers, creating a rich and vibrant palette. But beyond the technical skill, the painting also offers a glimpse into the social context of the time. The elaborate costumes and hairstyles of the women suggest a life of luxury and leisure, while the presence of servants hints at the social hierarchies that underpinned this world. In a way, the painting is a testament to the power and wealth of the imperial court, and the many hands that contributed to its splendor.