Nederlandse ½ cent, 1865 by Willem III (koning der Nederlanden)

Nederlandse ½ cent, 1865 1865

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metal, photography

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portrait

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studio photography

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product studio photography

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product shot

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antique finish

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circular oval feature

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dutch-golden-age

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rounded shape

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metal

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polished

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curved arc

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photography

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metallic object render

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cutout

Dimensions diameter 1.6 cm, weight 1.84 gr

Curator: Here we have a Dutch half-cent coin from 1865, currently held in the Rijksmuseum's collection. It features the profile of King Willem III. Editor: It strikes me as oddly… fragile. The way the metal seems to almost melt under the details. Curator: Let’s unpack that. The "melting," as you call it, may relate to its social function as currency—denoting value sanctioned by the King whose profile it bears. The portrait on the coin also raises questions about power dynamics, national identity, and how these objects reinforced colonial structures of the time. This little coin connected everyday people to the broader narrative of Dutch governance. Editor: Precisely. The crown sitting atop that confident "W" is not only regal but architecturally quite dense when you observe the curved arches in concert with the beading, and how those textures interact with the smooth background, for instance. Curator: Indeed. And consider its circulation – entering marketplaces, facilitating trade. The wear and tear speak volumes about accessibility for commoners, yet it also reinforces the royal image among the population. Was it about access or about subtle propagandizing of the King’s likeness into everyday life? Editor: The '18' and '65' flanking the monogram, acting as anchors on either side. Framing the power structure in an economical package with a clear, rational syntax that conveys meaning concisely, it offers clear information within established aesthetic parameters. Curator: Ultimately, viewing a seemingly simple coin through the lenses of materiality, power, and circulation unveils the multilayered stories embedded within it—echoes of the Dutch monarchy resonating through commerce and culture. Editor: Yes, by observing such careful aesthetic choices, we recognize how those very components can project ideas and maintain power. Thank you, this new historical context has granted me new insight into an artistic study of what seemed to be simply economical matter.

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