Ormavi 1961

Art Historian: Ormavi is a 1961 oil painting by Hossein Behzad, depicting a man with a lute, in a garden setting. I find the piece to be extremely charming; it exudes tranquility, but it does have a certain antiquated element as well, due to its very controlled brushwork and composition. What's your take? Editor: I think your observations ring true, and it does appear tranquilizing. As an expert in history, do you perceive elements suggesting a certain epoch of origin that this piece can reflect in time? Art Historian: Indeed. Behzad was a master of Persian miniature painting, which experienced a revival in the early 20th century. The highly detailed work, the flat perspective, and the subject matter are all indicative of that tradition. But the 1960s, when this was painted, saw a lot of cultural renegotiation and a search for national identity in Iran, often pulling from the past. What do you think that return to the miniature style might signify in that context? Editor: If there was a yearning for it at that time, that would explain some of the oldness that it radiates, and why Behzad wanted to channel his expertise for such purposes... The composition in which he chooses to paint a man enjoying his time amidst nature can suggest how things were back then; an ode to that era in other words. Art Historian: Precisely! It can be viewed as a conscious embrace of a national art form, and perhaps a statement against the increasing Westernization of Iranian culture at the time. Consider the figure as a guardian of cultural traditions. Are there modern elements to be discovered perhaps? Editor: His expression is kind of... timeless I guess, like you can read so much depth into this portrayal. I appreciate your highlighting the social implications, that really reshapes my view. Art Historian: Glad to offer a fresh insight, and yes it gives clues to understanding the art and historical context of such artist. Editor: Many thanks for sharing that background and perspective with me.