Up East Water St. from the Kirby House by Henry Hamilton Bennett

Up East Water St. from the Kirby House 1880s

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print, photography

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16_19th-century

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print

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landscape

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photography

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united-states

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cityscape

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realism

Dimensions 10 × 7.5 cm (each image); 10.7 × 17.7 cm (card)

Curator: Right, let’s turn our attention to this photographic print, “Up East Water St. from the Kirby House.” It dates from the 1880s and was captured by Henry Hamilton Bennett. It's part of the Art Institute of Chicago's collection. What’s your initial take? Editor: Well, it hits me with a strong dose of nostalgia, even though I never lived back then! There’s a kind of ordered bustle to the scene. Everything seems… slower, maybe more considered? Curator: The cityscape presented certainly evokes a bygone era. Notice the positioning: Bennett utilizes the vantage point from the Kirby House, creating an elevated perspective down East Water Street. The deliberate use of linear perspective, with the tramlines leading the eye, guides our focus. Consider how such images contributed to constructing the urban identity of American cities. Editor: The tramlines definitely do their job! They remind me of veins in a leaf, all leading back to the heart. And I get this feeling of potential from it, this sense that the city is still growing, unfurling. Curator: An excellent observation. The buildings, the horse-drawn carriages, even the clothing of the figures all serve as symbols of progress and burgeoning industrialization in the late 19th century. Consider the implicit message conveyed about America's urban centers. Editor: It's also the light, I think. The way the sun seems to pick out certain details. Makes you wonder what stories are playing out in all those buildings, all at the same moment. Like a little human theater captured in a photograph. Curator: Precisely. Photography, especially at this time, held immense power to not only document reality but also to shape perceptions and ideals about American life. Bennett was a master of subtly embedding such ideas through carefully considered compositions and evocative scenes. Editor: Thinking about it, I see how photographs like this ended up solidifying a kind of national narrative of upward mobility, industrial triumph. It’s powerful how images weave their way into our cultural DNA. I would certainly not read this photograph if it wasn't presented with this background knowledge. Curator: Precisely. We gain much insight when we unpack this photograph's cultural load. Thank you for sharing your impression with our listeners! Editor: Thanks! It's fascinating how much these old photos can still spark thought.

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