Portret van Carl Theodor Anton Maria von Dalberg by Karl Traugott Riedel

Portret van Carl Theodor Anton Maria von Dalberg 1779 - 1850

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print, paper, engraving

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portrait

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neoclacissism

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print

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paper

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history-painting

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engraving

Dimensions: height 194 mm, width 134 mm

Copyright: Rijks Museum: Open Domain

Editor: We're looking at a portrait of Carl Theodor Anton Maria von Dalberg, created sometime between 1779 and 1850. It's an engraving on paper. The man is posed inside this...octagonal frame? There's a seriousness to his gaze, almost severe. What do you see in this piece? Curator: The first thing that strikes me is its historical precision, almost like peering into another era. The engraver, Riedel, wasn’t just capturing a likeness; he was presenting Dalberg, presumably, as a figure worthy of remembrance, perhaps even admiration. I’m also curious about the octagonal shape—it suggests a considered, deliberate framing. Is it a window? A mirror reflecting a particular viewpoint? And what's your take on the lines and detail, from a craft perspective? Editor: It is incredibly detailed; especially around the clothing, it is very impressive. The cross medal seems an odd element for a paper print, doesn't it? Curator: Exactly! And look closer - it appears to be a very faithful attempt to render reality, adhering to Neoclassical ideals of order and reason. But even within this framework, does it fully escape embellishment, perhaps in the intricate lines that define Dalberg's character? It almost feels like the artist snuck some commentary in... perhaps hinting at an interior life. What emotions did Dalberg inspire? Do you think that he might even feel pride? Editor: Definitely an intense gaze and attention to status and dress. I suppose those medals show his place. I like the point about how Neoclassicism aimed at representing rational order through form, a style known for seriousness! Curator: Yes, that almost severe Neoclassical seriousness that permeates the work… but I feel like it's there to contrast with the other details. Well, I guess what remains is my eternal wonder about how one captures the ineffable essence of a person—a fleeting moment of the real—through such crafted media! Editor: It's true...it gives you a lot to think about. Thanks for your insight!

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