Vrede van Fontainebleau tussen de keizer en de Republiek der Verenigde Nederlanden, tot stand gekomen via Franse bemiddeling 1785

Editor: This striking silver medal by Joseph Jansz. Everts from 1785, titled "Peace of Fontainebleau," has such intricate detail for something so small. It almost feels like two artworks on one object, with the scenes on either side. What immediately grabs my attention is the contrast between symbols of war and peace. What elements stand out to you the most, and how do you interpret the overall composition? Curator: The division you’ve noticed is quite intentional, demonstrating a dichotomy. Focus on the arrangement: observe how the composition on both faces strives for symmetry yet incorporates contrasting imagery. One side exhibits a lion, sword, and flourishing plant beneath a radiant sun. The other also portrays the lion, though now chained, with a figure of Victory above. Consider these opposing elements; how do they inform the medal's overall structure? Editor: It’s fascinating how the artist used those opposing elements. So, one side is open, bright and triumphant while the other is closed off. Are you suggesting that the artist wanted us to weigh both sides before interpreting a fixed conclusion? Curator: Precisely! The baroque style's emphasis on dynamism is evident in the sculpting of the lion and Victory, drawing the viewer's eye across the relief. Notice how Everts uses line and form to create visual interest and to suggest a resolution or a tension. Consider how the lines direct your eye and create a narrative structure within the medal. What emotional or conceptual impact does this tension create for you? Editor: It almost feels like two opposing forces pulling at each other before resolving. Seeing both sides of peace in one single artwork gives a more well-rounded view than other triumphal artworks I’ve studied before. I am now appreciating the medal and the peace treaty that it commemorates. Curator: Indeed, by engaging with these formal elements, the medal’s meaning becomes more accessible. Visual analysis truly unlocks layers of historical and artistic intent.