Jean-Louis-Rodolphe Agassiz (1807-1873) c. 19th century

Editor: Here we have William Morris's portrait of Jean-Louis-Rodolphe Agassiz. It is undated, but impressive. The graphite rendering feels both precise and energetic. What social forces might have shaped this depiction? Curator: Well, think about the context. Morris, though known for his textiles and socialist ideals, also engaged with portraiture. Agassiz, a prominent Harvard professor, championed now-discredited theories of racial difference. How might Morris's social views intersect, or perhaps clash, with Agassiz's position and influence? Editor: So, the portrait might be a commentary on power and intellectual authority? Curator: Precisely. Consider how the portrait immortalizes Agassiz. Museums themselves can be sites where such power dynamics are both reinforced and challenged. Editor: That's fascinating, I hadn't thought about the role of museums in perpetuating those ideas. Curator: Indeed. It makes you consider whose stories are told and how.