Glasraam 24 in de Sint-Janskerk te Gouda: Filippus predikend, genezend en dopend 1738 - 1754

Curator: This intricate engraving by Pieter Tanjé, created between 1738 and 1754, depicts stained-glass window number 24 from the Saint John’s Church in Gouda, specifically illustrating the story of Phillip preaching, healing, and baptizing. Editor: It feels as if I’m peering into a frozen moment of profound transformation. The strict lines and architectural framework only accentuate the almost fervent energy emanating from the crowd. There’s something incredibly hopeful, yet structured, in how it's all presented. Curator: Indeed, the work is an excellent example of baroque printmaking, emphasizing dramatic contrasts and detail. It represents a specific socio-political narrative. The Saint John’s Church windows, were vital civic art that showcased Gouda's prominence in the Dutch Republic. These ‘histories,’ rendered in glass and engravings, were powerful statements about religious identity and community values. Editor: That sense of civic pride certainly resonates. The inclusion of so many figures, each distinct, hints at the inclusivity implied by the scene of baptism. The artist captures so much detail through etching to allow the viewer to engage deeply with the message of hope and salvation. Also, I like how he breaks down the main elements into three separated stages like triptych form, Curator: Exactly. This particular window highlights conversion and healing as acts within a communal space. Tanjé successfully translated the color and light of the stained glass into the monochromatic realm of printmaking, expanding its reach and influence beyond the physical location of the church. It became accessible to a wider audience, further cementing the window’s socio-political impact. Editor: I agree. It almost feels like holding history itself, this tangible testament to community and faith. Makes me ponder what stories our contemporary public art tells.