Marriage bureau--Reno, Nevada by Robert Frank

Marriage bureau--Reno, Nevada 1956

0:00
0:00

print, photography, gelatin-silver-print

# 

print

# 

street-photography

# 

photography

# 

historical photography

# 

gelatin-silver-print

# 

modernism

# 

realism

Dimensions: sheet: 20.3 x 25.2 cm (8 x 9 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have Robert Frank’s 1956 photograph, “Marriage bureau--Reno, Nevada,” a gelatin silver print. Editor: Stark, isn't it? That sharp contrast, the geometric composition... it feels like a space stripped bare of any romance. Curator: Frank, throughout *The Americans*, often aimed to depict a raw, almost detached observation of American life. Note the signage—"Marriage License Bureau," starkly lettered, next to the almost euphemistic "Justice of the Peace" sign. Editor: And on the right, the deep shadows surrounding the partially open door—the “Private” sign hanging rather limply on it... It evokes a sense of hidden activity, almost a furtiveness about something that is culturally mainstream. Curator: Exactly! Frank captured this social ritual, these very public declarations of commitment, through an almost claustrophobic lens. There's a tension between the banality of the institutional setting, room numbers posted near the license bureau and the very idea of matrimony. It points to a possible anxiety surrounding mid-century social mores. Editor: Visually, I keep returning to the high contrast. Frank manipulates it to distill form into geometric planes—the rectangle of the door, the stark lines of the signs. The photograph's meaning, it seems to me, hinges on that interplay of light and shadow, abstracting and estranging. It also makes great use of a minimalist palette. The silver gelatin evokes a specific sentiment. Curator: Considering Reno’s reputation as a quick marriage destination during that era, the photograph acts as a social commentary on this phenomenon of fleeting romance. The building almost performs as a factory. Editor: I hadn't thought of the space functioning like that. Curator: It's worth noting that such works cemented his reputation for upending convention. Editor: Well, regardless of the backdrop, his composition captures a certain kind of isolation and loneliness within that seemingly happy construct of a marriage bureau, so to speak. Curator: Indeed, a stark and sobering, but essential, point of view.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.