Scenes from The Tale of Genji [right of a pair] c. 17th century

Editor: This folding screen, "Scenes from the Tale of Genji", made around the 17th century by Tosa Mitsunari, really strikes me with its intricate patchwork design. Each square seems to hold a tiny world. How do you interpret this work? Curator: The patchwork isn't merely decorative; it evokes fragmented memory. Each little scene, bordered and distinct, functions like an individual memory from the broader narrative of The Tale of Genji. The gold leaf background unifies them but also throws each small scene into sharp contrast, doesn't it? Almost as if it is showing us an archetype from ancient stories in miniature... Editor: That's fascinating! The individual scenes do stand out more against the gold. So the geometric pattern helps reinforce this sense of fragmented memory? Curator: Precisely! Notice the choice of patterning; grids suggest order, and attempt to contain something chaotic. Yet, they can also be broken down, examined independently. How much do we rely on our history and storytelling to carry the emotional and psychological resonance that shapes our future? It's interesting how different Japanese paintings, prints and objects emphasize storytelling from one generation to the next. Editor: It's amazing how one object can weave together such layers of meaning – cultural memory, emotional impact, narrative fragmentation. It makes you wonder how contemporary artists might utilize similar strategies today. Curator: It’s a testament to the enduring power of images, isn't it? Visual symbols speak volumes, shaping how we perceive our world and our history.