Buste van een man met een gevederde muts by Samuel van Hoogstraten

Buste van een man met een gevederde muts 1648 - 1678

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print, etching

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portrait

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baroque

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dutch-golden-age

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print

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etching

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figuration

Dimensions height 32 mm, width 27 mm

Editor: Here we have "Bust of a Man with a Feathered Cap," an etching by Samuel van Hoogstraten, dating from around 1648-1678. The image is quite dark, almost mysterious, and the lines create a sense of texture, especially in the beard and the feathered cap. How do you interpret this work, especially given its historical context? Curator: That's a keen observation. Beyond the textured surface and Rembrandt-esque lighting, consider the power dynamics inherent in portraiture during the Dutch Golden Age. This wasn't simply a neutral representation, but a construction of identity, deeply embedded within social and economic structures. Who had access to portraiture? Who was being excluded? How does Hoogstraten's use of etching, a relatively accessible printmaking technique, potentially democratize representation, even in this small way? Editor: That's fascinating. So, you're suggesting that even though it’s a portrait, we should be thinking about it in terms of who *isn't* being represented, and how the medium itself plays a role in those power dynamics? Curator: Precisely. Consider also the "feathered cap." What connotations might that hold? Is it simply a fashion statement, or could it allude to a specific social role, profession, or even a political affiliation? During this period, dress was a powerful signifier, immediately situating an individual within a complex web of social expectations. What statement do you think Hoogstraten is making by highlighting this particular sartorial detail? Editor: I hadn't thought about the clothing as a potential statement, but now I see that there is a lot more to unpack. The feathered cap makes me curious now. Curator: These seemingly simple images were often deeply coded with meaning. Thinking about these layered complexities allows us to engage with the artwork on a deeper, more critically aware level. Editor: Thanks, this has really opened my eyes to thinking about art and the way its created, beyond just aesthetics. Curator: And for me, the chance to discuss the historical importance with you keeps the conversation alive!

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