Here is the audio guide script: Walter Crane made "The White Snake" with ink and paper, creating something out of nothing, line by line. I can almost hear the scratch of the pen across the surface, each stroke building up form and story. Imagine Crane hunched over his desk, totally absorbed, maybe thinking about fairy tales and symbolism while he drew the characters with their apple of life. The image is so linear and stylized, all these repeated motifs in the corners and edges. Do you get a sense of the pre-Raphaelites? The whole thing has this decorative quality, like it could be part of a larger illuminated manuscript or a tapestry. The figures are so graceful and elongated, their drapery falling in these elegant folds. And that tree, so dense with leaves and fruit, acts as this kind of Edenic backdrop to their shared moment. The way he’s used light and shadow—it's like he's creating this whole world with just a few simple lines. Artists are always borrowing, remixing, and adding their own spin. And that's what makes art so exciting, right? It's always evolving, always surprising us.
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