Voor- en achterzijde van een penning met het portret van Diane de Poitiers 1683 - 1733

Here we see a drawing by Bernard Picart from the early 18th century, depicting the front and back of a medal portraying Diane de Poitiers. This work offers a fascinating glimpse into the cultural and political landscape of France, a time when royal mistresses wielded significant power and influence. Diane de Poitiers, mistress to King Henry II, was a prominent figure in the French court, using her position to affect artistic patronage and political matters. The medal itself serves as a form of propaganda. The imagery on the reverse of the medal, a depiction of the goddess Diana, is no accident; it's a deliberate reference intended to associate Diane de Poitiers with the divine and to legitimize her position of power through classical allegory. Understanding this drawing and the medal it represents involves delving into the history of the French monarchy, the role of women in courtly life, and the symbolic language used to convey power and status. Art historical research, including the study of court documents, biographies, and emblem books, can shed light on the ways in which individuals like Diane de Poitiers used art and imagery to shape their public image and exert influence.