Stående mandsfigur by J.A. Jerichau (II)

Stående mandsfigur 1910

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drawing, pencil

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portrait

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drawing

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light pencil work

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pencil sketch

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cartoon sketch

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figuration

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personal sketchbook

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idea generation sketch

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ink drawing experimentation

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pen-ink sketch

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pencil

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sketchbook drawing

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pencil work

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sketchbook art

Dimensions 252 mm (height) x 185 mm (width) (bladmaal)

Editor: This is "Standing Man" created by J.A. Jerichau in 1910, currently held at the SMK in Copenhagen. It's a pencil drawing. What stands out to me is how sparse and minimal it is – the artist has captured the essence of the figures with such few lines. How do you interpret this work from a formalist perspective? Curator: Precisely. Observe how Jerichau utilizes line to create volume and form. The hatching, particularly on the man’s coat, defines the planes and suggests depth, even though there’s a distinct absence of chiaroscuro, isn't it? Consider the composition. The figures aren’t centered; there is substantial negative space. Why do you suppose the artist chose this placement? Editor: Perhaps to create a sense of isolation, or to suggest a narrative beyond what is immediately visible? I see how the varying line weights create emphasis – heavier lines for the man's figure compared to the other. Curator: Exactly! It’s not merely representational. Consider also the texture suggested by the pencil strokes themselves – the roughness, the slight variations in tone. These elements, in their materiality, are essential to the artwork's impact. Editor: I'm fascinated by how the simplicity emphasizes the structural aspects. The focus is entirely on line, form, and composition, with nothing extraneous. Curator: It's a potent reminder that the power of art often resides in the considered manipulation of fundamental elements, irrespective of elaborate narrative content. This analysis shifts away from what is being portrayed to how it is being portrayed. It emphasizes visual language rather than external meaning. Editor: So by concentrating on the inherent characteristics – the lines, the negative space, and the texture – we’re truly examining what the art IS, not merely what it depicts. That gives me a different understanding of the artist's purpose. Thanks for helping me understand the piece on its own terms. Curator: A worthwhile discussion on intrinsic meaning and visual architecture within this deceivingly simple drawing, and that will make for new perspective for many art lovers to come!

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