Lyre Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Lyre Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands 1889

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drawing, print, watercolor

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portrait

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drawing

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print

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impressionism

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bird

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watercolor

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coloured pencil

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watercolor

Dimensions Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Curator: Well, this is charming! It's a Lyre Bird, from the Birds of the Tropics series, part of a set made for Allen & Ginter Cigarettes back in 1889. These were colorful inserts intended to add a little flair to tobacco products. What's your take on it? Editor: At first glance, I get a sort of… whimsical feeling. It's small, delicate, like a daydream you might have while smoking. The bird’s tail feathers dominate the composition; they're almost otherworldly. Curator: Absolutely! It's watercolor and colored pencil on paper, though originally printed as a lithograph I assume. But it makes me think about how art intersected with consumer culture. These weren't exactly high art; they were trade cards, ephemeral pieces designed to be collected. Editor: It's fascinating to see nature depicted in such a stylized way for what amounts to marketing material. What strikes me is that it captures an essence, rather than photorealistic detail. The colors, slightly muted, almost faded... it has a nostalgic feel. Did this have an impact, though? It doesn't quite feel like advocacy. Curator: Certainly, but that essence may belie darker forces! Though "exotic," it is ultimately detached from an exploration into colonial structures propping up Ginter and Allen as it traded away cultural associations. By 1890 these trading cards, for all intents and purposes, went out of print under duress by new regulatory law making these consumer add-ons a net loss on paper. Editor: That context really darkens the visual pleasure! Thinking about the exoticizing gaze inherent in "collecting" nature through these cards is unnerving now. The bird becomes a mere commodity, doesn't it? Curator: Precisely. But I would love to reframe it now within new visual and artistic expression. The bird feels almost alive and communicative through its vibrant aesthetic appeal. Editor: True... and it shows you how images circulate, accruing different layers of meaning across time, context, reception, and even, or perhaps most important to add, regulation.

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