Zōjō-ji tempel in Tokyo 1900 - 1907

This albumen print of Zōjō-ji temple in Tokyo was created by T. Enami, a photographer working in Yokohama, Japan. The stereoscopic image presents a seemingly timeless view of a religious site, yet it also speaks to the cultural and economic conditions of late 19th century Japan. During this period, Japan underwent rapid modernization and opened its doors to international trade and cultural exchange. Photography studios emerged, catering to both domestic and foreign markets. Enami's work, sold primarily in Yokohama, reflects a growing interest in Japanese culture on the part of Westerners, who sought picturesque views of temples and traditional life. The stereoscopic format, popular at the time, enhanced the sense of realism and immersion for viewers. The image is thus a commodity, shaped by the dynamics of tourism and cultural consumption. To understand this image more fully, historians could consult travelogues, trade records, and photographic archives to gain insights into the complex relationship between Japan and the West during this transformative era.