Mexico, from the National Flags series (N195) issued by Wm. S. Kimball & Co. by William S. Kimball & Company

Mexico, from the National Flags series (N195) issued by Wm. S. Kimball & Co. 1891

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drawing, graphic-art, coloured-pencil, print, poster

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drawing

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graphic-art

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coloured-pencil

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print

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caricature

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coloured pencil

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poster

Dimensions: Sheet (trimmed): 3 1/2 × 2 3/8 in. (8.9 × 6 cm)

Copyright: Public Domain

Curator: Here we have "Mexico, from the National Flags series (N195)", published by Wm. S. Kimball & Co. around 1891. It’s a chromolithograph trade card, featuring the Mexican flag rendered in vibrant coloured pencils. Editor: Well, the composition is strikingly bold. The flag dominates the space, its waves are almost frozen. The primary colors pop against that cool background. Curator: Indeed. The flag itself isn't merely a national symbol here; it’s laden with layers of historical narrative. Notice the eagle perched on the cactus, devouring a serpent. It directly references the Aztec founding myth of Tenochtitlan, now Mexico City. The place where they saw the eagle eating the snake was believed to be their promised land. Editor: The semiotic density is compelling. The artist simplified and amplified certain details, really. Those colors are a clear marker for national identity, though subtly desaturated by the printing method itself. Curator: Absolutely. Beyond its immediate symbolism, it functioned as promotional material—these cards were distributed with tobacco products. It speaks to a late 19th-century fascination with nationalism, exoticism, and commerce intersecting in popular culture. It would be distributed as commercial ephemera while subtly imprinting patriotic ideas onto the collective psyche. Editor: So, it's mass-produced, a commercial object that contains encoded historical and national information. Interesting. It is the mechanical reproduction of a historically informed aesthetic, making it widely available but stripping the cultural narrative from its original purpose. Curator: Exactly. It's a tangible relic that links tobacco advertising with powerful patriotic messaging. Seeing it now reminds us of the complicated relationship between commodity culture, identity formation, and historical memory. Editor: It reminds me of the interplay between mass production, and high concept that can still linger from such an item. Food for thought indeed!

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